Kwadwo Peprah, by serendipity, became the inaugural artist-in-residence at the Christian Atsu Education Centre in Senya Beraku, Ghana. Tasked with bringing the school’s walls to life, he created stunning murals in his distinctive abstract cubist style, transforming the space into a vibrant visual experience. His bold use of lines, colour, and African symbolism continues to captivate all who arrive at the school, with the murals standing the test of time as a testament to his creative vision.
We are optimistic that Kwadwo will return to the residency, continuing his artistic journey with us. His unique ability to inspire and engage the children, along with his exceptional talent, makes him an invaluable part of our mission to foster creativity, cultural exchange, and artistic expression in Senya Beraku. We look forward to seeing more of his extraordinary work enrich the community and leave an indelible mark on the next generation.
Kwadwo Peprah, a Ghanaian contemporary artist, draws from abstract expressionism, using intricate, meandering lines to explore society’s complex issues. His work, rooted in his cultural landscape, combines symmetry and repetition to create figures that evoke familiarity and emotion.
His abstract cubist style is heavily inspired by African masks, a fascination sparked during his studies at Kwame Nkrumah University of Science and Technology (KNUST). There, he began deconstructing the elements of these masks, reimagining their aesthetic within his own practice.
Balancing clean lines, vibrant colours, and bold shading, Peprah’s work invites viewers to engage, invoking curiosity and exploration of familiar symbols. Influenced by artists like Yayoi Kusama, Serge Attukwei Clottey, and Basquiat, his abstract expressionist pieces offer a unique depth through his interpretation of African masks.
With a background in graphic design, streetwear, and merchandise, Peprah meticulously crafts his colour compositions, blending style and storytelling. His work reflects themes of wealth, masculinity, and companionship, drawing from folklore and everyday life within his community.
